Brooklyn’s one-woman psychedelic rock band burns the place down with her mystical feminist loop art. Recorded at RBMA in Montréal 2016.
A self-described feminist loop artist, mystic and yogini, Idgy Dean infuses her one-woman psychedelic rock with a calming Zen presence that belies the emotional intensity of her DIY beats. Although she released her debut LP Ominous Harminus in 2015, the Brooklynite otherwise known as Lindsay Sanwald has been making music since she was a teenager, inspired to play drums, guitar and bass and write her own songs by the dual presence of Kate Bush and Nine Inch Nails. If those influences sound divergent at first glance, think again – Dean’s music combines a visceral mysticism with a performative grandeur that reflects the dark and the life-giving in equal measure, doling out tribal drum beats and clangorous guitar lines underneath airy vocals during her live shows, which are symphonies of emotion wrought from loop pedals. A magnetic performer, Dean’s ethereal experimental pop has naturally found its way into theater, when she was responsible for the live score of The ETLE Universe, a “queer feminist cyborg time-travel epic thing.”